Historical LGBTQ+ Fiction

While lesbian, gay, bisexual, trans, and queer identified characters and themes are not uncommon in fiction today, presentation of these identities was rarer and less overt in literature up until the mid-twentieth century. This is not to say that LGBTQ+ characters and themes were absent from fiction; rather, they were typically obscured, existing through subtext, allusion, and ambiguity. This research collection spans the late nineteenth to the mid-twentieth centuries and offers researchers a glimpse into how queer subjects were discussed in fiction during this period. While novelists of the time did not always approach this subject matter positively – homosexuality in these novels is sometimes presented as sinful, tragic, or a cautionary tale – these works are valuable for understanding contemporary attitudes. The attitudes presented in these works are varied and range from positive to negative, from overt to covert, and everything in between.

Items in this collection are generally rare and hard to find, including many first editions. Examples include Theodore Winthrop’s Cecil Dreeme (1861), an early example of a nineteenth-century queer novel; Lew Levenson’s Butterfly Man (1934) which is likely the first novel to use the term “gay” to non-ambiguously mean “homosexual”; and many significant lesbian pulp novels such as Ann Bannon’s I Am a Woman (1959), Women in the Shadows (1959), and Journey to a Woman (1960).

Access: Consult the inventory of the historical LGBTQ+ fiction collection to see a list of current items.

 

Collection Formats: 19th Century, 20th Century, Books -- click to see other collections with this format