While characters and themes identified as lesbian, gay, bisexual, trans, and queer are not uncommon in fiction today, clear representation of these identities was rarer and less overt in literature up until the mid-twentieth century. This is not to say that LGBTQ+ characters and themes were absent from fiction; rather, they were typically obscured and ambiguously represented through subtext and allusion. This research collection spans the late-nineteenth to mid-twentieth centuries and offers a glimpse into the ways queer themes were discussed in fiction during this period. While early novelists did not always approach this subject matter in a positive manner—homosexuality in these novels is sometimes presented as sinful, tragic, or a cautionary tale—these works are valuable for understanding historic attitudes. Items in this collection are generally rare and hard to find, including many first editions. Examples include Theodore Winthrop’s Cecil Dreeme (1861), an early example of a nineteenth-century queer novel, and Lew Levenson’s Butterfly Man (1934) which is likely the first novel to use the term “gay” to non-ambiguously mean “homosexual”; as well as many significant lesbian pulp novels such as An Bannon’s I Am a Woman (1959), Women in the Shadows (1959), and Journey to a Woman (1960).
Collection Formats: 19th Century, 20th Century, Books -- click to see other collections with this format